Oritek tends to start right at the plane of speakers and a bit forward and backward depending on the recording, able to portray depth information a little deeper than DLIII, a difference I've noticed in past with non-upsampling to upsampling players. the solo voices/instruments starts at the plane of speakers and outward. It's soundstaging is very nice and in line with good DAC's, but it is slightly more forward, i.e. DLIII overall sounds fuller and more easily able to fill the room with sound pressure, not just in bass but the entire soundfield seems to project easier into the room. There are some other notable differences as well. I'll bet my personal preferences would lie with 44.1 kHz if that was selectable, but I guess we'll never know. This is the sort of thing I have noticed with upsampling with other gear in past, which is why I hate the fact DLIII does not give you the option of choosing straight 44.1 kHz non-upsampled sound. Notice I didn't say "bright" on purpose b/c that implies some negatives or irratation, which there is none with DLIII. In video terminology, it's like turning up the "brightness" control one notch while turning down the "contrast" one notch, leading to sunnier yet less textured images. DLIII's midrange is more sunny and bloomy with bigger images, yet lacks the extremely fine-grained density and nuance that Oritek can exhibit with a well-recorded song. But it's here that Oritek pulls ahead by a significant margin. Midrange sounds very good, too, in line with qualities of treble/bass. DLIII simply rocks along with taut, deep, PRATTY bass that serves dynamic music very well while avoiding the artificially iron-hard bass that can fatigue you over time. In fact, DLIII's bass outshines Oritek DAC in midbass weight and impact by a significant degree. This is pretty comparable to the Oritek in quality and resolution, though DLIII's presentation is more "sunny" and "lit," not better or worse, just different IMO.īass was simply phenomenal at this price range. There was no grain or grit to speak of, and more importantly, the treble and midrange flowed into each other with one voice and tone. Treble was airy, flowery even, yet with great detail. No such problems with DLIII, as all frequencies hit equally hard with similar speed and swing. Many DAC's reveal different dynamics among treble, mid, and/or bass, so some may have great bass dynamics yet weak midrange dynamics, etc, resulting in disjoined sound that can be tiring over time. Most of all, it sounded very dynamically effortless through all frequency ranges. So looking for something in the 750-1200 range.DLIII sounded great out-of-box and remained so through the weeks. I did all the research and thought starting at a 250 was a good Idea but not so much now as I wanted something that I could ride for years to come. Very limited on after market add on, ride was comfortable, lots of plastic parts If I had to do it all over again I would not have bought a 250. It had 7500 miles on the clock, I replaced the starter and clutch cable.This was my first bike and I probably should have gone bigger. Could be the other owners were rougher on it then I was. My mechanic said that was too much high speed for it and the engine could not handle it.
2006 yamaha xv2 driver#
I was using it as my daily driver and going 55MPH-45MPH I live 10 miles from work. I changed the oil as soon as I bought it, I had an oil leak and they had to replace a seal so it got an oil change, and it needed a new starter so it got its 3rd oil change. I put 1500 miles on it and it had 3 yes count them 3 oil changes during that time. I was the 3rd owner, and it will not have a 4th as I blew the engine. Very nimble, easy to ride, fun at lower speeds, handles well in parking lots and town driving. My review might be a bit tainted, they say top speed is 70+ I found at 55 to 65 it needed me to run alongside and push it.
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